PompeiiinPictures

Oplontis. Villa di Poppea or Villa of Poppea or Villa Poppaea or Oplontis Villa A.

 

Part:   1       2       3       4       5       6       7       8       9      10     11     12     13     14     15     16     17     18     19     20     21     22     23     24     25     26     27     28     29     Plan

 

Rooms 30 to 33

Room 30: Room with window onto East Portico 34 and north garden 56

 

Oplontis Villa of Poppea, September 2017.
East portico 34, window into room 30, in south wall of portico. 
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, September 2017.

East portico 34, window into room 30, in south wall of portico.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis Villa of Poppea, September 2017.
East portico 34, looking south through window into room 30, in south wall of portico. 
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, September 2017.

East portico 34, looking south through window into room 30, in south wall of portico.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis Villa of Poppea, October 2020. Room 30, looking south from window in East Portico, 34. Photo courtesy of Klaus Heese.

Oplontis Villa of Poppea, October 2020. Room 30, looking south from window in East Portico, 34. Photo courtesy of Klaus Heese.

 

Oplontis, September 2015. Room 30, north wall with window onto East Portico and north garden.

Oplontis Villa of Poppea, September 2015.

Room 30, north wall with window onto East Portico and north garden.

 

Oplontis Villa of Poppea, October 2020. Room 30, looking towards east wall from window. Photo courtesy of Klaus Heese.

Oplontis Villa of Poppea, October 2020. Room 30, looking towards east wall from window. Photo courtesy of Klaus Heese.

 

Oplontis, September 2015. Room 30, looking towards east wall from doorway.

Oplontis Villa of Poppea, September 2015. Room 30, looking towards east wall from doorway.

 

Oplontis, September 2015. Room 30, south wall.

Oplontis Villa of Poppea, September 2015. Room 30, looking towards south wall.

 

Oplontis Villa of Poppea, October 2020. Room 30, south wall. Photo courtesy of Klaus Heese.

Oplontis Villa of Poppea, October 2020. Room 30, south wall. Photo courtesy of Klaus Heese.

 

Oplontis Villa of Poppea, March 2014. Room 30, south-west corner.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, March 2014. Room 30, south-west corner.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis, September 2015. Room 30, west wall.

Oplontis Villa of Poppea, September 2015. Room 30, west wall.

 

Oplontis Villa of Poppea, October 2020. Room 30, west wall with doorway to corridor on east side of rooms 21 and 20. Photo courtesy of Klaus Heese.

Oplontis Villa of Poppea, October 2020.

Room 30, west wall with doorway to corridor on east side of rooms 21 and 20. Photo courtesy of Klaus Heese.

 

Oplontis, September 2015. Room 30, west wall with doorway to corridor on east side of rooms 21 and 20.

Oplontis Villa of Poppea, September 2015. Room 30, west wall with doorway to corridor on east side of rooms 21 and 20.

 

Oplontis, September 2015. Room 30, threshold of doorway, from corridor

Oplontis Villa of Poppea, September 2015. Room 30, threshold of doorway, from corridor.

 

Room 31: Probable Frigidarium

 

Oplontis, September 2015. Room 31, doorway in west wall of tepidarium, room 18, leading to possible room used as frigidarium. 
Secondo a Carlo Malandrino - Ambiente destinato probabilmente a frigidarium del complesso termale. Non interamente portato alla luce, perche coperto, per oltre la meta, dal terrapieno stradale. Vedi Malandrino, Carlo, 1978. “Oplontis”, (p.72, ambiente 18 sulla pianta).
(translation: Room probably used as frigidarium of the baths complex. Not entirely brought to light, because it is covered for over half of it, by the road embankment.)
See Malandrino, Carlo, 1978. “Oplontis”, (p.72, room 18 on plan).

Oplontis Villa of Poppea, September 2015.

Room 31, doorway in west wall of tepidarium, room 18, leading to possible room used as frigidarium.

Secondo a Carlo Malandrino - Ambiente destinato probabilmente a frigidarium del complesso termale. Non interamente portato alla luce, perché coperto, per oltre la meta, dal terrapieno stradale.

Vedi Malandrino, Carlo, 1978. “Oplontis”, (p.72, ambiente 18 sulla pianta).

(translation: Room probably used as frigidarium of the baths complex. Not entirely brought to light, because it is covered for over half of it, by the road embankment.)

See Malandrino, Carlo, 1978. “Oplontis”, (p.72, room 18 on plan).

 

Oplontis, September 2015. Doorway to room 31 from room 18, and part of the north wall.

Oplontis Villa of Poppea, September 2015. Doorway to room 31 from room 18, and part of the north wall.

 

Oplontis Villa of Poppea, October 2022. 
Room 31, looking towards north wall. Photo courtesy of Klaus Heese.

Oplontis Villa of Poppea, October 2022.

Room 31, looking towards north wall. Photo courtesy of Klaus Heese.

 

Oplontis Villa of Poppea, May 2011. Room 31, north wall, west end. Painting of two flying cupids, one playing a double flute.
Photo courtesy of Buzz Ferebee.

Oplontis Villa of Poppea, May 2011.

Room 31, north wall, west end. Painting of two flying cupids, one playing a double flute. Photo courtesy of Buzz Ferebee.

 

Oplontis, September 2015. Room 31, flooring.

Oplontis Villa of Poppea, September 2015. Room 31, flooring.

 

Oplontis, September 2015. Room 31, east wall and doorway to room 18.

Oplontis Villa of Poppea, September 2015. Room 31, east wall and doorway to room 18.

 

Oplontis, September 2015. Room 31, restoration of plaster on east wall, in north-east corner above doorway.

Oplontis Villa of Poppea, September 2015. Room 31, restoration of plaster on east wall, in north-east corner above doorway.

 

Oplontis Villa of Poppea, October 2023. 
Room 31, looking towards south wall with large doorway to room 16. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023.

Room 31, looking towards south wall with large doorway to room 16. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis, September 2015. Room 31, south wall with large doorway to room 16.

Oplontis Villa of Poppea, September 2015. Room 31, south wall with large doorway to room 16.

 

Oplontis, September 2015. Room 31, looking south across flooring

Oplontis Villa of Poppea, September 2015. Room 31, looking south across flooring.

 

Oplontis, September 2015. Room 31, looking south into room 16, across threshold.

Oplontis Villa of Poppea, September 2015. Room 31, looking south into room 16, across threshold.

 

Oplontis, September 2015. Room 31, looking north across threshold from room 16.

Oplontis Villa of Poppea, September 2015. Room 31, looking north across threshold from room 16.

 

Oplontis, September 2015. Room 31, looking north across flooring.

Oplontis Villa of Poppea, September 2015. Room 31, looking north across flooring.

 

Room 32: The enclosed peristyle, previously known as the rustic courtyard

 

Oplontis Villa of Poppea, October 2023. Room 32, looking north-east across enclosed peristyle. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023. Room 32, looking north-east across enclosed peristyle. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, September 2017. Room 32, looking north-east from end of room 27. 
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, September 2017. Room 32, looking north-east from end of room 27.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis Villa of Poppea, January 2023. Room 32, looking east. Photo courtesy of Miriam Colomer.

Oplontis Villa of Poppea, January 2023. Room 32, looking east. Photo courtesy of Miriam Colomer.

 

Oplontis Villa of Poppea, April 2018. Room 32, looking south-east across rustic peristyle.
Photo courtesy of Ian Lycett-King. Use is subject to Creative Commons Attribution-NonCommercial License v.4 International.

Oplontis Villa of Poppea, April 2018. Room 32, looking south-east across rustic peristyle.

Photo courtesy of Ian Lycett-King. Use is subject to Creative Commons Attribution-NonCommercial License v.4 International.

 

Oplontis Villa of Poppea, September 2017. Room 32, looking south-east.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, September 2017. Room 32, looking south-east.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis Villa of Poppea, October 2023. Room 32, looking south-east across detail of fountain. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023. Room 32, looking south-east across detail of fountain. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, September 2017. Room 32, looking east across fountain.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, September 2017. Room 32, looking east across fountain.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis, September 2011. Room 32, looking east across the fountain. Photo courtesy of Michael Binns

Oplontis Villa of Poppea, September 2011.

Room 32, looking east across the fountain. Photo courtesy of Michael Binns.

 

Oplontis, 1974. Room 32, looking east towards masonry fountain in rustic peristyle. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J74f0620

Oplontis Villa of Poppea, 1974. Room 32, looking east towards masonry fountain in rustic peristyle. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J74f0620

 

Oplontis, 1974. Room 32, Looking east across the rustic peristyle from room 27. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J74f0622

Oplontis Villa of Poppea, 1974.

Room 32, Looking east across the internal peristyle from room 27. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details.

J74f0622

 

Oplontis Villa of Poppea, January 2023. Room 32, looking north-west across rustic courtyard. Photo courtesy of Miriam Colomer.

Oplontis Villa of Poppea, January 2023. Room 32, looking north-west across rustic courtyard. Photo courtesy of Miriam Colomer.

 

Oplontis Villa of Poppea, October 2023. Room 32, looking north-west. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023. Room 32, looking north-west. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis, 1977. Room 32, the rustic peristyle, looking west.  Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J77f0359

Oplontis Villa of Poppea, 1977. Room 32, looking west across rustic peristyle at north end. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J77f0359

 

Oplontis, 1977. Room 32, the rustic peristyle, looking north.  Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J77f0360

Oplontis Villa of Poppea, 1977. Room 32, looking north across rustic peristyle. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J77f0360

 

Oplontis Villa of Poppea, January 2023. 
Room 32, looking west along north end of rustic courtyard towards north-west corner. Photo courtesy of Miriam Colomer.

Oplontis Villa of Poppea, January 2023.

Room 32, looking west along north end of rustic courtyard towards north-west corner. Photo courtesy of Miriam Colomer.

 

Oplontis, September 2015. Room 32, west wall with window, in north-west corner of peristyle.

Oplontis Villa of Poppea, September 2015. Room 32, west wall with window, in north-west corner of peristyle

 

Oplontis Villa of Poppea, April 2018. Room 32, detail of west wall in north-west corner.
Photo courtesy of Ian Lycett-King. Use is subject to Creative Commons Attribution-NonCommercial License v.4 International.

Oplontis Villa of Poppea, April 2018. Room 32, detail of west wall in north-west corner.

Photo courtesy of Ian Lycett-King. Use is subject to Creative Commons Attribution-NonCommercial License v.4 International.

 

Oplontis, September 2015. Room 32, looking towards north-west corner of peristyle, and doorway to room 35.

Oplontis Villa of Poppea, September 2015.

Room 32, looking towards north wall in north-west corner of peristyle, and doorway to room 35.

 

Oplontis Villa of Poppea, September 2015. Room 32, Oplontis Project notice on doorway 35.
For a wealth of additional information see The Oplontis Project eBook
Oplontis : Villa A ("of Poppaea") at Torre Annunziata, Italy. Vol. 1, The ancient setting and modern rediscovery by John R. Clarke and Nayla K. Muntasser.
at Vol. 1, The ancient setting and modern rediscovery

Oplontis Villa of Poppea, September 2015. Room 32, Oplontis Project notice on doorway 35.

For a wealth of additional information see The Oplontis Project eBook

Oplontis : Villa A ("of Poppaea") at Torre Annunziata, Italy. Vol. 1, The ancient setting and modern rediscovery by John R. Clarke and Nayla K. Muntasser.

at Vol. 1, The ancient setting and modern rediscovery

 

Oplontis Villa of Poppea, October 2023. Room 32, looking towards north wall and pluteus.  Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023. Room 32, looking towards north wall and pluteus.  Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, April 2018. Room 32, looking towards north wall and pluteus.  
Photo courtesy of Ian Lycett-King. Use is subject to Creative Commons Attribution-NonCommercial License v.4 International.

Oplontis Villa of Poppea, April 2018. Room 32, looking towards north wall and pluteus. 

Photo courtesy of Ian Lycett-King. Use is subject to Creative Commons Attribution-NonCommercial License v.4 International.

 

Oplontis Villa of Poppea, April 2018. Room 32, looking north-east across rustic peristyle. 
Photo courtesy of Ian Lycett-King. Use is subject to Creative Commons Attribution-NonCommercial License v.4 International.

Oplontis Villa of Poppea, April 2018. Room 32, looking north-east across rustic peristyle.

Photo courtesy of Ian Lycett-King. Use is subject to Creative Commons Attribution-NonCommercial License v.4 International.

 

Oplontis Villa of Poppea, October 2001. Room 32, looking north towards fountain in internal rustic courtyard. Photo courtesy of Peter Woods.

Oplontis Villa of Poppea, October 2001.

Room 32, looking north-east towards fountain in internal rustic courtyard. Photo courtesy of Peter Woods.

 

Oplontis, September 2015. Room 32, looking east along north side of internal peristyle, towards rooms 45 and 46.

Oplontis Villa of Poppea, September 2015. Room 32, looking east along north side of internal peristyle, towards rooms 45 and 46.

 

Oplontis, September 2015. Room 32, north wall.

Oplontis Villa of Poppea, September 2015. Room 32, north wall.

 

Oplontis, September 2015. Room 32, looking across the north-east corner of the internal peristyle.

Oplontis Villa of Poppea, September 2015.

Room 32, looking across the north-east corner of the internal peristyle towards east wall.

 

Oplontis Villa of Poppea, September 2015. Room 32, painted east wall.

Oplontis Villa of Poppea, September 2015. Room 32, looking north along east side of rustic peristyle.  

 

Oplontis Villa of Poppea, September 2017. Room 32, looking south along east side of rustic peristyle.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, September 2017. Room 32, looking south along east side of rustic peristyle.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis, 1974. Room 32, painted plants on the pluteus of the rustic courtyard. Photo courtesy of Buzz Ferebee.

Oplontis Villa of Poppea, May 2010. Room 32, painted plants on the pluteus of the east wall. Photo courtesy of Buzz Ferebee.

 

Oplontis Villa of Poppea, March 2019. Room 32, painted east wall with birds and flowers, near south-east corner.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, March 2019. Room 32, painted east wall with birds and flowers, near south-east corner.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis Villa of Poppea, September 2015. Room 32, painted east wall with birds and flowers, in south-east corner.

Oplontis Villa of Poppea, September 2015. Room 32, painted east wall with birds and flowers, in south-east corner.

 

Oplontis, September 2015. Room 32, east wall, with doorway to rooms 44, 43 and 42.

Oplontis Villa of Poppea, September 2015. Room 32, east wall, with doorway to rooms 44, 43 and 42.

 

Oplontis, September 2015. Room 32, doorway to room 44 on east side of internal peristyle.

Oplontis Villa of Poppea, September 2015. Room 32, doorway to room 44 on east side of internal peristyle.

 

Oplontis, September 2015. Room 32, doorway to room 43 on east side of internal peristyle.

Oplontis Villa of Poppea, September 2015. Room 32, doorway to room 43 on east side of internal peristyle.

 

Oplontis Villa of Poppea, October 2023.  
Room 32, doorway to room 42, steps to upper floor, on east side of internal peristyle in south-east corner. 
Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023.  

Room 32, doorway to room 42, steps to upper floor, on east side of internal peristyle in south-east corner.

Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, January 2023. 
Room 32, looking east along south side towards south-east corner. Photo courtesy of Miriam Colomer.

Oplontis Villa of Poppea, January 2023.

Room 32, looking east along south side towards south-east corner. Photo courtesy of Miriam Colomer.

 

Oplontis, May 2011. Room 32, looking east along the south side of the internal peristyle. Photo courtesy of Michael Binns.

Oplontis Villa of Poppea, May 2011.

Room 32, looking east along the south side of the internal peristyle. Photo courtesy of Michael Binns.

 

Oplontis, September 2015. Room 32, doorway to room 42, steps to upper floor, on east side of internal peristyle.  Steps leading to a mezzanine floor above rooms 43 and 44. The upper floor would have consisted of three small rooms and a corridor.

Oplontis Villa of Poppea, September 2015.

Room 32, doorway to room 42, steps to upper floor, on east side of internal peristyle.

Steps leading to a mezzanine floor above rooms 43 and 44. The upper floor would have consisted of three small rooms and a corridor.

 

Oplontis Villa of Poppea, March 2014. Room 32, doorway to stairs (42) in east wall. 
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, March 2014. Room 32, doorway to stairs (42) in east wall.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis Villa of Poppea, January 2023. Room 32, looking south along east wall of the rustic courtyard. Photo courtesy of Miriam Colomer.

Oplontis Villa of Poppea, January 2023.

Room 32, looking south along east wall of the rustic courtyard. Photo courtesy of Miriam Colomer.

 

Oplontis, September 2015. Room 32, looking south along east side of internal peristyle.

Oplontis Villa of Poppea, September 2015. Room 32, looking south along east side of internal peristyle.

 

Oplontis, 1974. Room 32, rustic peristyle. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J74f0638

Oplontis Villa of Poppea, 1974.

Room 32, looking south along east portico towards the south-east corner of the internal peristyle. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J74f0638

 

Oplontis, 1977. Room 32, the rustic courtyard. Looking south along east side. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J77f0202

Oplontis Villa of Poppea, 1977. Room 32, the internal peristyle. Looking south along east side. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J77f0202

 

Oplontis Villa of Poppea, March 2014. Room 32, south-east corner, with doorway to stairs, on left. 
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, March 2014. Room 32, looking east along south side towards south-east corner.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis Villa of Poppea, January 2023. 
Room 32, detail from south wall in south-east corner of internal peristyle. Photo courtesy of Miriam Colomer.

Oplontis Villa of Poppea, January 2023.

Room 32, detail from south wall in south-east corner of internal peristyle. Photo courtesy of Miriam Colomer.

 

Oplontis Villa of Poppea, March 2019. 
Room 32, south wall in south-east corner of internal peristyle.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, March 2019.

Room 32, south wall in south-east corner of internal peristyle.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis, September 2015. Room 32, south-east corner with painted decorations.

Oplontis Villa of Poppea, September 2015. Room 32, south-east corner with painted decorations.

 

Oplontis Villa of Poppea, October 2023. Room 32, south wall with painted decorations. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023. Room 32, south wall with painted decorations. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis, September 2015. Room 32, looking towards the south-east corner.

Oplontis Villa of Poppea, September 2015. Room 32, looking towards the south-east corner.

 

Oplontis, September 2015. Room 32, looking towards south-east corner, with painted plants and birds.

Oplontis Villa of Poppea, September 2015. Room 32, looking towards south-east corner, with painted plants and birds.

 

Oplontis, September 2015. Room 32, painted bird from south wall of “pluteus” internal wall.

Oplontis Villa of Poppea, September 2015. Room 32, painted bird from south wall of “pluteus” internal wall.

 

Oplontis Villa of Poppea, April 2018. Room 32, detail of south wall, and south-east corner. 
Photo courtesy of Ian Lycett-King. Use is subject to Creative Commons Attribution-NonCommercial License v.4 International.

Oplontis Villa of Poppea, April 2018. Room 32, detail of south wall, and south-east corner.

Photo courtesy of Ian Lycett-King. Use is subject to Creative Commons Attribution-NonCommercial License v.4 International.

 

Oplontis, 1974. Room 32, painted plants on the pluteus of the rustic courtyard. Photo courtesy of Buzz Ferebee.

Oplontis Villa of Poppea, May 2010. Room 32, painted plants on the pluteus in the south-east corner. Photo courtesy of Buzz Ferebee.

 

Oplontis, 1974. Room 32, rustic peristyle, with painted plants on the pluteus. 
Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J74f0642

Oplontis Villa of Poppea, 1974.

Room 32, looking towards the south-east with painted plants and birds on the pluteus. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J74f0642

 

Oplontis, September 2015. Room 32, looking south across garden to painted wall.

Oplontis Villa of Poppea, September 2015. Room 32, looking south across garden to painted south wall.

 

Oplontis Villa of Poppea, September 2017. Room 32, looking south.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, September 2017. Room 32, looking south.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis, September 2015. Room 32, looking west along the south wall of the internal peristyle.

Oplontis Villa of Poppea, September 2015. Room 32, looking west along the south wall of the internal peristyle.

 

Oplontis, September 2015. Room 32, doorway to room 39 in south wall of internal peristyle.

Oplontis Villa of Poppea, September 2015. Room 32, doorway to room 39 in south wall of internal peristyle.

 

Oplontis, September 2015. Room 32, looking south along corridor 37 from internal peristyle towards portico 24.

Oplontis Villa of Poppea, September 2015.

Room 32, looking south along corridor 37 from internal peristyle towards portico 24.

 

Oplontis Villa of Poppea, September 2017.
Corridor 37, looking north along corridor 37 towards internal peristyle 32, from portico 24.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, September 2017.

Corridor 37, looking north along corridor 37 towards internal peristyle 32, from portico 24.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis, May 2011. Room 32, looking towards the rustic peristyle, along corridor 37, from room 24, a portico on the south side. Photo courtesy of Michael Binns.

Oplontis Villa of Poppea, May 2011.

Room 32, looking north towards the internal peristyle, along corridor 37, from room 24, a portico on the south side.

Photo courtesy of Michael Binns.

 

Oplontis Villa of Poppea, September 2017. Corridor 37, looking north along west wall with detail of ceiling.  
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, September 2017. Corridor 37, looking north along west wall with detail of ceiling. 

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis, September 2015. Room 32, doorways to room 39 and corridor 37 in south wall.

Oplontis Villa of Poppea, September 2015. Room 32, doorways to room 39 and corridor 37 in south wall.

 

Oplontis, September 2015. Room 32, doorway to room 36 in south-west corner of internal peristyle.

Oplontis Villa of Poppea, September 2015.

Room 32, doorway to room 36 in south-west corner of internal peristyle.

 

Oplontis, September 2015. Room 32, looking south along the west side of the peristyle towards doorway to room 36.

Oplontis Villa of Poppea, September 2015. Room 32, looking south along the west side of the peristyle towards doorway to room 36.

 

Oplontis Villa of Poppea, March 2019. Room 32, detail of reconstructed ceiling.
Foto Annette Haug, ERC Grant 681269 DÉCOR

Oplontis Villa of Poppea, March 2019. Room 32, detail of reconstructed ceiling.

Foto Annette Haug, ERC Grant 681269 DÉCOR

 

Oplontis Villa of Poppea, March 2019. Room 32, looking towards west painted wall on inside of “pluteus” wall in south-west corner.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, March 2019. Room 32, looking towards west painted wall on inside of “pluteus” wall in south-west corner.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis, September 2015. Room 32, west painted internal wall in south-west corner of internal garden.

Oplontis Villa of Poppea, September 2015. Room 32, west painted internal wall in south-west corner of internal garden.

 

Oplontis, September 2015. Room 32, west painted wall on inside of “pluteus” wall in south-west corner.

Oplontis Villa of Poppea, September 2015. Room 32, west painted wall on inside of “pluteus” wall in south-west corner.

 

Oplontis Villa of Poppea, October 2023. Room 32, detail from south-west corner. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023. Room 32, detail from south-west corner. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, January 2023. Room 32, looking south-west across the rustic courtyard. Photo courtesy of Miriam Colomer.

Oplontis Villa of Poppea, January 2023. Room 32, looking south-west across the rustic courtyard. Photo courtesy of Miriam Colomer.

 

Oplontis Villa of Poppea, September 2011. Room 32, looking south-west across the rustic peristyle. Photo courtesy of Michael Binns.

Oplontis Villa of Poppea, September 2011. Room 32, looking south-west across the rustic courtyard. Photo courtesy of Michael Binns.

 

Oplontis, September 2011. Room 32, the rustic peristyle. Looking south-west. Photo courtesy of Michael Binns.

Oplontis Villa of Poppea, September 2011.

Room 32, the rustic courtyard/peristyle. Looking south-west. Photo courtesy of Michael Binns.

 

Oplontis, May 2010. Room 32, the rustic peristyle. Looking south-west towards rear of fountain. Photo courtesy of Buzz Ferebee.

Oplontis Villa of Poppea, May 2010.

Room 32, the rustic peristyle. Looking south-west towards rear of fountain. Photo courtesy of Buzz Ferebee.

 

Oplontis, September 2015. Room 32, looking west towards rear of painted fountain, with tree.

Oplontis Villa of Poppea, September 2015. Room 32, looking south-west towards rear of painted fountain, with tree.

 

Oplontis Villa of Poppea, April 2016. 
Room 32, looking towards painted pluteus in north-west corner. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, April 2016.

Room 32, looking towards painted pluteus in north-west corner. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis, September 2015. Room 32, looking west in north-west corner.

Oplontis Villa of Poppea, September 2015. Room 32, looking west in north-west corner.

 

Oplontis Villa of Poppea, January 2023. 
Statuette of white marble young child with goose, on display in Corridor 63, looking west but may be from room 32. 
Photo courtesy of Miriam Colomer.
According to the PAP Oplontis Guidebook, it is believed that the small statue of a boy with a goose that was found in one of the porticoes overlooking the garden, used as a fountain, presumably would have been originally placed on the small fountain in the centre of this open space. 
Guide to the Oplontis Excavation. 2018. Parco Archeologico di Pompei, p. 40.

Oplontis Villa of Poppea, January 2023.

Statuette of white marble young child with goose, on display in Corridor 63, looking west but may be from room 32.

Photo courtesy of Miriam Colomer.

According to the PAP Oplontis Guidebook, it is believed that the small statue of a boy with a goose that was found in one of the porticoes overlooking the garden, used as a fountain, presumably would have been originally placed on the small fountain in the centre of this open space.

Guide to the Oplontis Excavation. 2018. Parco Archeologico di Pompei, p. 40.

 

Oplontis Villa of Poppea, October 2023. 
Corridor 63, marble statue of young boy and goose on display, but may have been from room 32 . Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023.

Corridor 63, marble statue of young boy and goose on display, but may have been from room 32. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis, 1978. White marble statue of a young child with a goose. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J78f0487
According to De Caro, perhaps this statue may have come from the fountain with the cascade at the centre of the garden in the rustic courtyard. 
See De Caro, S.1976. Sculture dalla villa “di Poppea” in Oplontis (p.197) in Cronache Pompeiane, II, 1976, (p.184-225)

Oplontis Villa of Poppea, 1978. White marble statue of a young child with a goose. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J78f0487

According to De Caro, perhaps this statue may have come from the fountain with the cascade at the centre of the garden in the rustic courtyard.

See De Caro, S.1976. Sculture dalla villa “di Poppea” in Oplontis (p.197) in Cronache Pompeiane, II, 1976, (pp.184-225)

 

Oplontis, 1975. White marble statue of a young child with a goose. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J75f0425

Oplontis Villa of Poppea, 1975. White marble statue of a young child with a goose. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J75f0425

 

Oplontis, 1973. Statue of young child with goose. Photo by Stanley A. Jashemski. 
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J73f0391

Oplontis Villa of Poppea, 1973. Statue of young child with goose. Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J73f0391 

 

Oplontis, 1974. Room 32, Wilhelmina in the rustic peristyle. Looking south-east, the interior wall of the pluteus (low wall) can be seen painted with plants. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J74f0621

Oplontis Villa of Poppea, 1974. Room 32, Wilhelmina in the internal peristyle.

Looking south-east, the interior wall of the pluteus (low wall) can be seen painted with plants. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J74f0621

 

Oplontis, 1974. Rake found in rustic peristyle, room 32. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J74f0195

Oplontis Villa of Poppea, 1974. Rake found in rustic peristyle, room 32. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J74f0195

 

Oplontis, 1974. Pruning hook, found in rustic peristyle, room 32. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J74f0196

Oplontis Villa of Poppea, 1974. Pruning hook, found in rustic peristyle, room 32. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J74f0196

 

Oplontis, 1974. Hoe found in rustic peristyle, room 32. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J74f0197

Oplontis Villa of Poppea, 1974. Hoe found in rustic peristyle, room 32. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J74f0197

 

Oplontis, Room 32, rustic peristyle, tools found there, a pruning hook, a hoe and a rake. 
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. Oplo0003

Oplontis Villa of Poppea, Room 32, rustic peristyle, tools found there, a pruning hook, a hoe and a rake. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

Oplo0003

 

Oplontis, c.1974-77. Room 32. Sundial.
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. Oplo0008
According to Wilhelmina – 
“Against the east side of the fountain we found the cavity left by a large tree. The two carbonized chestnuts found in the lapilli in the south-east corner of the garden, at the height of the ceiling beams, probably fell from a branch of this tree. The sundial in the north-east corner had no doubt become useless as the large tree shaded the garden”.
See Jashemski, W. F., 1993. The Gardens of Pompeii, Volume II: Appendices. New York: Caratzas. (p.294)

Oplontis Villa of Poppea, c.1974-77. Room 32. Sundial.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

Oplo0008

According to Wilhelmina –

“Against the east side of the fountain we found the cavity left by a large tree. The two carbonized chestnuts found in the lapilli in the south-east corner of the garden, at the height of the ceiling beams, probably fell from a branch of this tree. The sundial in the north-east corner had no doubt become useless as the large tree shaded the garden”.

See Jashemski, W. F., 1993. The Gardens of Pompeii, Volume II: Appendices. New York: Caratzas. (p.294)

 

Oplontis, 1973. Rustic peristyle 32 (17) during excavation. Photo by Stanley A. Jashemski. 
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J73f0367

Oplontis Villa of Poppea, 1973. Rustic peristyle 32 during excavation. Photo by Stanley A. Jashemski.

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J73f0367

 

Room 33: Portico looking onto the west side of the north garden 56

 

Oplontis Villa of Poppea, October 2020. Looking east towards west end of Portico 33, on right, and across garden area. Photo courtesy of Klaus Heese.

Oplontis Villa of Poppea, October 2020.

Looking east towards west end of Portico 33, on right, and across north garden area. Photo courtesy of Klaus Heese.

 

Oplontis Villa of Poppea, March 2014. Looking south-west towards west portico (33). 
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, March 2014. Looking south-west towards west portico (33).

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis, May 2010. Room 33, looking south towards the west portico of north garden. Photo courtesy of Buzz Ferebee.

Oplontis Villa of Poppea, May 2010. Room 33, looking south towards the west portico of north garden. Photo courtesy of Buzz Ferebee.

 

Oplontis Villa of Poppea, March 2014. Looking south-west towards west end of west portico (33), into the unexcavated. 
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, March 2014. Looking south-west towards west end of west portico (33), into the unexcavated.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis Villa of Poppea, September 2017. Looking south along entrance corridor towards the west portico.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, September 2017. Looking south along entrance corridor towards the west portico.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis Villa of Poppea, March 2014. Looking south along entrance corridor towards the west portico.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, March 2014. Looking south along entrance corridor towards the west portico.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis, September 2015. Room 33, mosaic flooring.

Oplontis Villa of Poppea, September 2015. Room 33, mosaic flooring.

 

Oplontis, September 2015. Room 33, painted wall between corridor to room 4, and room 17.

Oplontis Villa of Poppea, September 2015.

Room 33, painted wall between corridor to room 4, and room 17.

 

Oplontis, September 2011. Portico 33, looking west along wall of portico, and window into room 17. Photo courtesy of Michael Binns

Oplontis Villa of Poppea, September 2011.

Room 33, looking west along south wall of portico, and window into room 17. Photo courtesy of Michael Binns.

 

Oplontis Villa of Poppea, September 2017. West portico 33, looking towards west end of portico.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, September 2017. West portico 33, looking towards west end of portico, on right.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis, September 2015. Room 33, looking south towards the west portico of north garden.

Oplontis Villa of Poppea, September 2015. Room 33, looking south towards the west portico of north garden.

 

Oplontis Villa of Poppea, September 2017. 
Room 33, looking towards south wall of portico, and window into room 17.
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, September 2017.

Room 33, looking towards south wall of portico, and window into room 17.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis Villa of Poppea, October 2023. 
Portico 33, looking south-west along the west portico of the north garden. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023.

Portico 33, looking south-west along the west portico of the north garden. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, March 2014. Room 33, looking south-west along the west portico of the north garden. 
Foto Annette Haug, ERC Grant 681269 DÉCOR.

Oplontis Villa of Poppea, March 2014. Room 33, looking south-west along the west portico of the north garden.

Foto Annette Haug, ERC Grant 681269 DÉCOR.

 

Oplontis Villa of Poppea, October 2023. Portico 33, looking west. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023. Portico 33, looking west. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, September 2015. Room 33, looking west along portico.

Oplontis Villa of Poppea, September 2015. Room 33, looking west along portico.

 

Oplontis, September 2015. Room 33, flooring of west portico.

Oplontis Villa of Poppea, September 2015. Room 33, flooring of west portico.

 

Oplontis Villa of Poppea, October 2023. Portico 33, looking north-west towards entrance steps.  Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023. Portico 33, looking north-west towards entrance steps.  Photo courtesy of Giuseppe Ciaramella.

 

Oplontis, September 2011. Room 33, looking north-west across north garden towards entrance steps. Photo courtesy of Michael Binns.

Oplontis Villa of Poppea, September 2011.

Room 33, looking north-west across north garden towards entrance steps. Photo courtesy of Michael Binns.

 

Oplontis, May 2011. West portico 33, looking north-west at column snapped off and embedded in volcanic debris, on extreme west of portico at base of entrance stairs.
Photo courtesy of Buzz Ferebee.

Oplontis Villa of Poppea, May 2011.

West portico 33, looking north-west at column snapped off and embedded in volcanic debris, on extreme west of portico at base of entrance stairs.

Photo courtesy of Buzz Ferebee.

 

Oplontis, May 2011. West portico 33, column snapped off and embedded in volcanic debris. Photo courtesy of Buzz Ferebee.

Oplontis Villa of Poppea, May 2011.

West portico 33, column snapped off and embedded in volcanic debris. Photo courtesy of Buzz Ferebee.

 

Oplontis, May 2011. West portico 33, looking west into the volcanic debris of the pyroclastic flow.  Photo courtesy of Buzz Ferebee.

Oplontis Villa of Poppea, May 2011.

West portico 33, looking west into the volcanic debris of the pyroclastic flow. Photo courtesy of Buzz Ferebee.

 

Oplontis, September 2015. Room 33, looking east along the painted wall of the west portico

Oplontis Villa of Poppea, September 2015. Room 33, looking east along the painted wall of the west portico.

 

Oplontis, September 2015. Room 33, painted wall of the west portico.

Oplontis Villa of Poppea, September 2015. Room 33, painted wall of the west portico.

 

Oplontis, September 2015. Room 33, window into room 17 from the west portico.

Oplontis Villa of Poppea, September 2015. Room 33, window into room 17 from the west portico.

 

Oplontis, 1977. Looking from east portico, 34, towards north-east across rear garden. 
Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J77f0205

Oplontis Villa of Poppea, 1977.

Looking from west portico, 33, towards north-east across rear garden. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J77f0205

 

Oplontis, 1978. Portico 33, a group of four centaurs were found under the portico on 17th February 1970. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J78f0480

Oplontis Villa of Poppea, 1978.

Portico 33, a group of four centaurs were found under the portico on 17th February 1970. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J78f0480

 

Oplontis Villa of Poppea, 1978. 
Portico 33, a group of four centaurs were found under the portico on 17th February 1970. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.
J78f0484
According to De Caro, a group of four centaurs were found under portico 33 on 17th February 1970. 
When they were found, they were very badly damaged. 
Heads and limbs were mostly detached and it was necessary to provide patient and pain-staking work of re-composition. 
See De Caro, S.1976. Sculture dalla villa “di Poppea” in Oplontis (p.198) in Cronache Pompeiane, II, 1976, (p.184-225).
(Note: according to the description card below – these may have been discovered from the “north-west portico of the pool”).

Oplontis Villa of Poppea, 1978.

Portico 33, a group of four centaurs were found under the portico on 17th February 1970. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J78f0484

According to De Caro, a group of four centaurs were found under portico 33 on 17th February 1970.

When they were found, they were very badly damaged.

Heads and limbs were mostly detached and it was necessary to provide patient and pain-staking work of re-composition.

See De Caro, S.1976. Sculture dalla villa “di Poppea” in Oplontis (p.198) in Cronache Pompeiane, II, 1976, (p.184-225).

(Note: according to the description card below – these may have been discovered from the “north-west portico of the pool”).

 

Oplontis Villa of Poppea, October 2023. Portico 33, two of the Centaurs on display in room 21. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023. Portico 33, two of the Centaurs on display in room 21. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, October 2023. 
Portico 33, two of the Centaurs on display in room 21. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023.

Portico 33, two of the Centaurs on display in room 21. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, October 2023. 
Portico 33, descriptive notice-board that says these Centaurs and Centauresses were from the north-west portico of the pool. 
Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023.

Portico 33, descriptive notice-board that says these Centaurs and Centauresses were from the north-west portico of the pool.

Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, October 2023. 
Portico 33, another of the Centaurs on display. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023.

Portico 33, another of the Centaurs on display in Room 21. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, October 2023. 
Portico 33, another of the Centaurs on display. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023.

Portico 33, another of the Centaurs on display in Room 21. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, October 2023. 
Portico 33, rear view of four statues of the Centaurs on display in room 21. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, October 2023.

Portico 33, rear view of four statues of the Centaurs on display in room 21. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, April 2022. 
Exhibition of statues from Oplontis, held in II.7.9, the Palaestra at Pompeii. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, April 2022.

Exhibition of statues from Oplontis, held in II.7.9, the Palaestra at Pompeii. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, April 2022. 
Exhibition of statues from Oplontis, held in II.7.9, the Palaestra at Pompeii. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, April 2022.

Exhibition of statues from Oplontis, held in II.7.9, the Palaestra at Pompeii. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, April 2022.
Statues from Oplontis, two of the Centaurs and Hermaphrodite statue, on display in exhibition in Palaestra at Pompeii.
Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, April 2022.

Statues from Oplontis, two of the Centaurs and Hermaphrodite statue, on display in exhibition in Palaestra at Pompeii.

Photo courtesy of Giuseppe Ciaramella.

 

Villa of Poppaea, Oplontis, October 2023. 
Statuette of Centaur with wild boar, on display in Room 21. Photo courtesy of Klaus Heese.

Villa of Poppaea, Oplontis, October 2023.

Statuette of Centaur with wild boar, on display in Room 21. Photo courtesy of Klaus Heese.

 

Oplontis Villa of Poppea, April 2022. Statuette of Centaur with wild boar. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, April 2022. Statuette of Centaur with wild boar. Photo courtesy of Giuseppe Ciaramella.

 

Villa of Poppaea, Oplontis, October 2023. Detail of statuette of Centaur with wild boar. Photo courtesy of Klaus Heese.

Villa of Poppaea, Oplontis, October 2023. Detail of statuette of Centaur with wild boar. Photo courtesy of Klaus Heese.

 

Oplontis, 1978. One of a group of four centaurs, a male holding a club with a small boar on his shoulder. Two centaur fountains had been on each side of the passageway. There was no evidence of pipes, so they had not been used as fountains in their final location. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J78f0478

Oplontis Villa of Poppea, 1978. One of a group of four centaurs, a male holding a club with a small boar on his shoulder.

Found under Portico 33 on 17th February 1970.

Two centaur fountains would have been displayed on each side of the central passageway in the north garden.

There was no evidence of pipes, so they had not been used as fountains in their final location. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J78f0478

 

Villa of Poppaea, Oplontis, October 2023. 
Statuette of Centaur holding a club and a crater, on display in Room 21. Photo courtesy of Klaus Heese.

Villa of Poppaea, Oplontis, October 2023.

Statuette of Centaur holding a club and a crater, on display in Room 21. Photo courtesy of Klaus Heese.

 

Villa of Poppaea, Oplontis, October 2023. 
Detail of statuette of Centaur holding a club and a crater, on display in Room 21. Photo courtesy of Klaus Heese.

Villa of Poppaea, Oplontis, October 2023.

Detail of statuette of Centaur holding a club and a crater, on display in Room 21. Photo courtesy of Klaus Heese.

 

Villa of Poppaea, Oplontis, October 2023. 
Statuette of Centaur holding a club and a crater, on display in Room 21. Photo courtesy of Klaus Heese.

Villa of Poppaea, Oplontis, October 2023.

Statuette of Centaur holding a club and a crater, on display in Room 21. Photo courtesy of Klaus Heese.

 

Oplontis Villa of Poppea, April 2022. 
Statuette of Centaur holding a club and a crater. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, April 2022.

Statuette of Centaur holding a club and a crater. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis, 1978. One of a group of four centaurs, a male holding a club and a crater. 
Two centaur fountains would have been seen on each side of the central passageway in the north garden. There was no evidence of pipes, so they had not been used as fountains in their final location. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J78f0473

Oplontis Villa of Poppea, 1978. One of a group of four centaurs, a male holding a club and a crater.

Found under Portico 33 on 17th February 1970.

Two centaur fountains would have been seen on each side of the central passageway in the north garden.

There was no evidence of pipes, so they had not been used as fountains in their final location. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J78f0473

 

Villa of Poppaea, Oplontis, October 2023. 
One of a group of four centaurs, a female holding a club and lyre, on display in Room 21.
Photo courtesy of Klaus Heese.

Villa of Poppaea, Oplontis, October 2023.

One of a group of four centaurs, a female holding a club and lyre, on display in Room 21.

Photo courtesy of Klaus Heese.

 

Villa of Poppaea, Oplontis, October 2023. 
Detail of one of a group of four centaurs, a female holding a club and lyre, on display in Room 21.
Photo courtesy of Klaus Heese.

Villa of Poppaea, Oplontis, October 2023.

Detail of one of a group of four centaurs, a female holding a club and lyre, on display in Room 21.

Photo courtesy of Klaus Heese.

 

Oplontis Villa of Poppea, April 2022. 
Statuette of a female holding a club and a lyre. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, April 2022.

Statuette of a female holding a club and a lyre. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis, 1978. One of a group of four centaurs, a female holding a club and a lyre. 
Two centaur fountains would have been seen on each side of the passageway.
There was no evidence of pipes, so they had not been used as fountains in their final location. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J78f0475

Oplontis Villa of Poppea, 1978. One of a group of four centaurs, a female holding a club and a lyre.

Found under Portico 33 on 17th February 1970.

Two centaur fountains would have been seen on each side of the passageway.

There was no evidence of pipes, so they had not been used as fountains in their final location. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J78f0475

 

Villa of Poppaea, Oplontis, October 2023. 
One of a group of four centaurs, a female holding a fawn, on display in Room 21.
Photo courtesy of Klaus Heese.

Villa of Poppaea, Oplontis, October 2023.

One of a group of four centaurs, a female holding a fawn and club, on display in Room 21.

Photo courtesy of Klaus Heese.

 

Villa of Poppaea, Oplontis, October 2023. 
Detail of one of a group of four centaurs, a female holding a fawn, on display in Room 21. Photo courtesy of Klaus Heese.

Villa of Poppaea, Oplontis, October 2023.

Detail of one of a group of four centaurs, a female holding a fawn, on display in Room 21. Photo courtesy of Klaus Heese.

 

Oplontis Villa of Poppea, April 2022. 
Statuette of a female holding a fawn. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, April 2022.

Statuette of a female holding a fawn and club. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis Villa of Poppea, April 2022. 
Rear of statuette of a female holding a fawn. Photo courtesy of Giuseppe Ciaramella.

Oplontis Villa of Poppea, April 2022.

Rear of statuette of a female holding a fawn. Photo courtesy of Giuseppe Ciaramella.

 

Oplontis, 1978. One of a group of four centaurs, a female holding a club and a fawn on her shoulder. Two centaur fountains would have bee seen on each side of the central passageway in the north garden. There was no evidence of pipes, so they had not been used as fountains in their final location. Photo by Stanley A. Jashemski.   
Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non Commercial License v.4. See Licence and use details. J78f0479

Oplontis Villa of Poppea, 1978. One of a group of four centaurs, a female holding a club and a fawn on her shoulder.

Found under Portico 33 on 17th February 1970.

Two centaur fountains would have been seen on each side of the central passageway in the north garden.

There was no evidence of pipes, so they had not been used as fountains in their final location. Photo by Stanley A. Jashemski.  

Source: The Wilhelmina and Stanley A. Jashemski archive in the University of Maryland Library, Special Collections (See collection page) and made available under the Creative Commons Attribution-Non-Commercial License v.4. See Licence and use details.

J78f0479

 

 

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The low resolution pictures on this site are copyright © of Jackie and Bob Dunn and MAY NOT IN ANY CIRCUMSTANCES BE USED FOR GAIN OR REWARD COMMERCIALLY. On concession of the Ministero della Cultura - Parco Archeologico di Pompei. It is declared that no reproduction or duplication can be considered legitimate without the written authorization of the Parco Archeologico di Pompei.

Le immagini fotografiche a bassa risoluzione pubblicate su questo web site sono copyright © di Jackie e Bob Dunn E NON POSSONO ESSERE UTILIZZATE, IN ALCUNA CIRCOSTANZA, PER GUADAGNO O RICOMPENSA COMMERCIALMENTE. Su concessione del Ministero della Cultura - Parco Archeologico di Pompei. Si comunica che nessun riproduzione o duplicazione può considerarsi legittimo senza l'autorizzazione scritta del Parco Archeologico di Pompei.

Ultimo aggiornamento - Last updated: 23-Oct-2023 11:02